The instructor gave me some suggestions on my blocking this week:
1. The range of body movement is too large, including the reference I took myself. So I re-photographed the reference and got the approval of my instructor.
2. Modifications to the face animation：
In this pose, the eyebrows do not form a perfect arc. Although it is a frowning expression, the corners of the mouth are still upturned. Lowering the corners of the mouth can better reflect the character’s emotions.
The best position of the eyeball is within the eye socket.
The range of facial rotation can be reduced appropriately, and the angle of the face needs to be changed so that the camera can capture the other half of the person’s face.
Finally, the eyebrows can be divided into three sections. The front section is close to the center of the eyebrows, followed by the middle section and the back section. Among the three sections, the front section has the largest movement range, followed by the middle section, and the back section has a very small movement range. This is what you need to pay attention to when making eyebrow animations.